Share page | Visit Us On FB |
iS |
MUSICAL MEMORY. |
||
notes, against two or four in the part for the other hand, we may employ in one hand muscular-memory in an almost automatic form, whilst we devote the greater part of our attention to the performance of the other. Thus the bass of Chopin's Fantasie-Impromptu, the treble of the development of the first movement of Beethoven's Sonata in G, Op. 14, No. 2, beginning :— |
|||
|
|||
and many like passages would possibly be played in this manner. |
|||
|
|||